II Organ Festival Dom Bedos-Roubo
Rieti May, 19-22
Artistic Commission "Pontificio Organo Dom Bedos - Roubo"
Event organization: Filippo Tigli, Pontificio Organo Dom Bedos-Roubo Benedetto XVI
THURSDAY' 19 MAY - 21:00
I Opening Concert
II Organ Festival Dom Bedos-RouboCarolyn Shuster-Fournier
GOFFREDO MAMELI (1827-1849)
MICHELE NOVARO (1818-1885)
Inno d’Italia: Il Canto Degli Italiani:
Tenore: GIULIANO AGUZZIANTONIO VALENTE c. 1520–1581?
(1575) La Romanesca con cinque mutanze
LOUIS-NICOLAS CLÉRAMBAULT 1676-1749
Extraits du Livre d’orgue (1704)
Grand Plein Jeu
Duo
Basse et Dessus de Trompette séparée
(ou de cornet séparé,en dialogue)
Flûtes
Basse de Cromorne
Récit de Nazard
Caprice sur les Grands Jeux
CLAUDE BÉNIGNE BALBASTRE 1727-1799
Sonate en Quatuor, Œuvre IIIe [ca. 1780]
Allegro moderato
Romance
Presto
La Canonade (œuvre inédite)
JOHANN SEBASTIAN BACH 1685–1750
Allegro du Concerto en la mineur, BWV 593 (1713-14), transcription du Concerto pour deux violons et cordes, op. 3, n° 8 « Estro armonico » (1711) d’ANTONIO VIVALDI (1678–1741)
NICOLAS DE GRIGNY (1672–1703)
Récit de tierce en taille
‘Domine Deus, Agnus Dei, Filius Patris’ du
‘Gloria’ de la Missa Cunctipotens genitor Deus (1699)
JOHANN SEBASTIAN BACH 1685–1750
Toccata et Fugue en ré mineur. BWV 565 (ca. 1705)
CAROLYN SHUSTER CONCERT
The concert program offered by Carolyn was extended from Italy to Germany, through the France. The new Balbastre (a piece discovered now) "the Canonade" was a great success, as well as the first movement of Bach-Vivaldi transcription, and the personal interpretation of the Toccata and Fugue BWV565; it was carried out with strong colors and frequent jumps keyboards. The eclectic American/French organist is 'well adapted to the mechanical organ, although usually accustomed to instruments of romantic inspiration.
VIDEO - THE ITALIAN HYMN (TENOR GIULIANO AGUZZ)
Il Dom Bedos all'Apertura del Festival
Carolyn Shuster Fournier riceve l'applauso del pubblico
Plausodel pubblico!
L'organista intervistata per il Messaggero di Rieti
Il tenore Giuliano Aguzzi e Carolyn dopo l'Inno d'Italia e tutto il pubblico in piedi
Autografi per il pubblico
French-American musicologist and organist, Carolyn Shuster Fournier studied piano and violin before specializing in organ under the direction of Dr. Gary Zwicky. Gladys Christensen, Wolfgang Rübsam, Yuko Hayashi and Mireille Lagacé. After obtaining a Bachelor of Music at Wheaton College with honors and a Master's degree at New England Conservatory in Boston, she continued her studies in Paris with Marie-Claire Alain, Michel Chapuis, and Jean Saint-André Isoir Arroman. He attended the academy's summer Bernard Lagacé, Luigi Ferdinando Tagliavini and Francis Chapelet and has studied with André Fleury. In 1986, he received a Master of Music Education at the Sorbonne in Parigi.Nel 1992, a Ph.D. from the University of Tours. His doctoral thesis sull'organaria Aristide Cavaillé-Coll was awarded the Olivier Messiaen warmest congratulations, and was published in the magazine L'Orgue. Organist at the American Cathedral in Paris, in 1989, was named choir owner of Aristide Cavaillé-Coll organ at La Trinité Church where he regularly holds a concert on Thursday 'at noon. She has performed in Europe and the United States, working with composers like Thierry Blondeau, Jacques Castérède, Chailley Jacques, Jacques Charpentier, Jean-Pierre Griveau, Hervé Lacombe, Jacques Lenot, Sébastien Maigne, Jean-Dominique Pasquet, Jacques Pichard and Daniel Pinkham . Large discography: Among his CD, Alexis Chauvet on the Clicquot-Cavaillé-Coll de Versailles (EMA, Socadisc, 1997), Elegies, In Memoriam Marce Dupre on the Cavaillé-Coll Mainz and Merklín Schultz-Saint-Esprit, Paris ( Schott, 2001), "An American in Paris" on Orugues grandes de la Madeleine, Paris (Ligia Digital, Harmonia Mundi, 2004), "In memory of Nadia Boulanger" on the Cavaillé-Coll of St.-Antoine des Quinze- Vingts Paris (Ligia Digital, Harmonia Mundi, 2010), acclaimed in Europe and the United States. The French television channel TF1 in its programs regularly sends its tour of the musical performance of GF Handel and Francis Poulenc. Alain Duault invited her to his program on France 3 "All the music you love" / "Toute la musique qu'ils aiment." In 2007, the French Cultural Minister has conferred the title of Knight of the Order of Arts and Letters.
FRIDAY' 20 MAY - 21:00II Concert - Paolo Bottini
Giuseppe Verdi , a patriot version for the 150 years from the Italian Unity day
Giuseppe Verdi(1813-1901)
organ trascription from the Verdi originals by P.BottiniRigoletto
I Lombardi alla prima crociata
La battaglia di Legnano
I Vespri siciliani
Ernani
MacbethStops handling : Paolo Paniconi, Barbara Fornara
PAOLO BOTTINI CONCERT
A interesting program was offered by Paolo Bottini: a transformation of the Dom Bedos organ in 800th Banda, with own transcriptions by Giuseppe Verdi. The msuician has done a painstaking and meticulous work, especially in the art of stops selection. We 'never seen in Rieti this stops change amounts; this was perfomed in a great sync by our Paolo Paniconi and Barbara Fornara. The audience was really impressed by the varied tunes, rhythms and colors of Giuseppe Verdi and the stringency of the formal implementation of the Paolo Bottini trascription. Definitely a gig to remember, with the surprises of the bells and cymbal crash to the finals! We can say that the Dom Bedos was a unexpectedly versatile organ. The originality of the concert also had a beautiful voice-overs (Mrs. Elena Bottini) which outlined the historical background top people, to explain the contest and allow a better musical piece understanding.
VIDEO hard Stops change working
VIDEO Cymbale shots at the end
Paolo Bottini durante le prove
trasparenza dalla balaustra
la chiesa colma per Verdi interpretato da Bottini
Gran lavoro di sincronia dei registranti Paolo e Barbara con il Maestro all'opera
centinaia di variazioni per imitare l'orchestra
La fatica richiede carburante!
Meritato riposo del guerriero in compagnia di Marc Pinardel
Paolo Bottini
A Cremona musicians, master degree in piano, organ and harpsichord, Paolo Bottini is the national secretary of the Association of Italian Church Organists (www.organisti.it) and substitute organist at the prestigious organ Mascioni "(1985) of the cathedral of Cremona. In September 2009, for the types of "Historical Bulletin Cremonese" (forthcoming, in increased volume monograph, even at the "Nuova Editrice Cremonese") appeared the first complete biography of Frederick Caudana (1878-1963, from 1907 organist and teacher chapel of the cathedral of Cremona) compiled by Paul Bottini on the basis of starvation correspondence entertained by the famous Cremonese home in Piedmont with the founder of Music "Edizioni Carrara" of Bergamo.Nel 2008 Paolo Bottini has created a compact disc for 'label "Bongiovanni (www.bongiovanni70.com) with the first complete recording of the" Solemn Mass in F major for solo organ "of Antonio Vincenzo Petralia (1830-1889) engraved with the body" Lingiardi "(1865) of the church Cross St. Spirit (PC) where is organist since 1986. In June 2010 he was released his new CD "Gallantry. winch, the pleasant slide "at the label www.mvcremona.it registered with the department" reactivation "(1832) Paderna (King) with music by Vivaldi, Bach, Handel, Mozart, Marcello, A. Scarlatti, Telemann, Gasparini, Galuppi, Cimarosa, Valeri and of itself. Two new CD are in progress; the CDs are registered with the department "Traeri" (1723) of the Church of Camurana of Medomsley (MO) and the great organ "Balbiani Vegezzi Bossi" (1956) of the Sanctuary of Caravaggio (BG) on which he recorded the world premiere of renowned collection "Concentus Ecclesiae Frederick Caudana. Since 2004, Paolo Bottini conducts weekly music critic for the account of Cremona "Catholic Life" from 2007 and is organist and composer-musician ensemble drama "PerIncantamento" of Cremona.
SATURDAY 21 MAY - 21:00
III Concert - Marc Pinardel
Pierre ATTAINGNANT
(1494-1552?)
Deux chansons
françaises publiées pour l’orgue vers 1550
"Martin" de Clément JANNEQUIN
"Je ne puis bonnement penser… " de Pierre SANDRIN
Jean TITELOUZE (1562-1633)
Hymne "Exultet coelum… ". 3 versets.(publié vers 1623)Johann Nicolaus HANFF (1665-1711)
Choral "Erbarm dich mein, Herre Gott… "Dietrich BUXTEHUDE (1637-1707)
"Prélude, fugue et chaconne en UT majeur."Gottfried August HOMILIUS (1714-1785)
" Hilft, Herr Jesu, lass gelingen… "
" Christ lag in Todesbanden… "Johann Ludwig KREBS (1713-1780)
Toccata en la mineurMarc PINARDEL
Livre d’orgue improvisé sur la Première Messe Royale (Henry Du Mont 1610-1884) avec alternance du plain chant (Chantant Agnès Menier)
IMARC PINARDEL CONCERT
soprano AGNES MENIERAnd here we are the fourth meeting in Rieti with the friendly and eclectic french master, Marc! Pinardel has always presented as an unusual selection of pieces, like some "unknown" as Homilius, author of magnificent choral worthy to be compared to the works of Bach (!), and the beautiful and certainly difficult Krebs, inspired strictly to the themes of Johann Sebastian Bach which was a student. Very interesting the beautiful prelude in C major Buxtheude. Finally, the french musician brought a performance of improvisation, performing all the movements of a classic Mass in the style of Henry Dumont, starting with the themes of French musician and improvising and then the rest in the French style, with the usual form and skill that always astonished. The mass was performed with the responses of alternatim soprano Agnès Menier, the soprano then surprised the audience with a very impressive and intense performance of Ave Maria by Charles Gounod.
VIDEO Agnes Menier songs Ave Maria at concert end
VIDEO Improvvisation (off line) in "organ bar" stile
Pinardel in visita al Santuario francescano di Greccio suona il piccolo positivo
Marc in tenuta da concerto
Marc nuovamente sul Dom Bedos!
Marc on la soprano Agnès Menier
Il pubblico ha sempre gratificato la manifestazione
Rilassamento serale dopo il concerto
Madeleine Wulfson, Marc e Colamarino
Mons. Bardotti e l'intagliatore di tutto l'organo di Rieti (!) Sergio Bellani di Bovolone autore dell'opera di intarsio e decorazione del Dom Bedos
Fine serata; Marc partirà il giorno dopo per Parigi
Marc Pinardel
Marc (2/10/1957), after studying organ with Arsène Muzerelle in Reims and Rouen Louis Thiry degree in musicology and is directed toward a career as a musician, teacher and composer.
Alternate Arsène Muzerelle since the age of 19 years to the Great Organ of the Cathedral of Reims, in 1981 became the owner of the Great Organ of Notre Dame de l'Epine (marl), where he founded a laboratory for interdisciplinary improvisation: keyboards, strings, woodwinds.
In collaboration with "Jeunesse Musicales de France" creates a spectacle for organ and trumpet that will be represented more than 500 times in France and especially Belgium, between 1983 and 1989. Completely self-taught in the strict discipline of improvisation, Pinardel practice both in baroque style, in the romance and style jazz and 'bar has also been pianist at Maxim's. He has accompanied some film historians: Jeanne Carl Theodor Dreyer, The Passion According to St. Matthew by Pier Paolo Pasolini, the complete "Fantomas" by Louis Feuillade, live improvisation with organ, the harpsichord and piano; performances conducted also in the frame of the International Festival of Brest. In 1996 he won the International Competition of improvisation in Strasbourg.
From 1994 to 2002, is the owner of the Grand Organ of Our Lady of the Assumption of Passy (Paris). His organ concerts bring him to the finest tools of France and Italy. Practice regularly basso continuo on the harpsichord, playing Baroque Ensemble.
Composer, writing scores for theater, ballet and numerous short films.
E 'organ teacher at the conservatories of Saint-Maurice (Marne Valley), and Nogent-sur-Seine (Alba)
Teacher said, soul sessions in stage organ Alès and Toulouse. Author of pedagogical works, is published by Carisch - Musicom. Among others, the book "Methode d'Orgue Electronique et de Claviere" and "subsequent to Orgue" in two volumes.
During the Festival, "Toulouse Bodies" 2006, he joined the French team of improvisation, victorious over Canada.
It is a lecturer at the Sorbonne, the course of follow-up and improvisation teacher candidates for teaching at secondary level, where improvisation organizes training courses, tools for teachers to conservatives and to professional musicians
In the spirit of the organists of the seventeenth / eighteenth century, and goes up to the solemn masses completely improvising songs. One of the disks and 'singular "improvisations" Moucherel organ of the abbey church of Mouzon (Ardennes) (Ed Gallo 2002).
SUNDAY 22 MAY - 18:30
Choir: AURORA SALUTIS
Director Daniele Rossi - Organist: Paolo Paniconi
MESSA SOLEMNIS - CORALE AURORA SALUTIS DI RIETI
Director : DANIELE ROSSI
corale reinforced from: Corale Tivoli - Corale GrottiVIDEO - DANIELE ROSSI - SUITE GOTIQUE (L.BOELLMAN)
VIDEO - A.BOTTI VERISION OF THE ITALIAN HYMN
VIDEO - CORALE AURORA SALUTIS - VA PENSIERO (G.VERDI)
Daniele Rossi dirige la corale
Mons. Bardotti officia la SS Messa
Paolo Paniconi : accompagnamento all'organo per la corale
Fedeli alla SS Messa del 22 maggio
Il Maestro Daniele Rossi chiude la messa con la suite gotique di Leon Boelmann!
Daniele Rossi
He started to get interested in music very young, at age 14 he enrolled at the Conservatorio Santa Cecilia in Rome where he studied Clarinet and Organ and Composition. He studied with, among others, Vincent Mariozzi for Clarinet and Fernando Germani, Giorgio and Domenico Bartolucci Carnini for the organ and composition. He graduated in Clarinet, with honors and then he graduated in organ, too. He enriched his musical training participated in several courses and further interpretation in Italy and abroad. He later embarked on a concert career that led him to perform in major Italian cities, participating in prestigious festivals in Italy, Germany, Austria, Switzerland, England, Japan, Turkey, Romania, Spain, Hungary, Russia, Brazil, Venezuela, Argentina, China, both as soloist and in various instrumental combinations. Collaborated since 1985 as a harpsichordist, organist, with the Orchestra and Chorus of St. Cecilia in Rome with which it has participated in concerts and tours under the guidance of the most important conductors, often holding solo roles. He has also collaborated with other leading orchestras (the Rome Opera, Pittsburgh Symphony Orchestra, Orchestra of Lugano, etc...) and in Rieti, during the Reate Festival 2010, plays the Rossini Messe Solemnelle with Michele Campanella.He has recorded for labels BMG, Decca, Philips, Sony Classical. With the Orchestra of St. Cecilia for Deutsche Grammophon has recorded a CD of sacred music, including one dedicated to the Requiem G. Fauré and M. Duruflé in France has been awarded the prestigious Diapason d'Or. " Daniele Rossi is professor at the Music Conservatory "A. Casella "in L'Aquila (Italy)
SUNDAY 22 MAY - 21:00IV Concert - Festival end
Choir: AURORA SALUTIS (RIETI)
Director Daniele Rossi - Organist Paolo PaniconiGiuseppe Verdi (1813-1901)
Va Pensiero (from Nabucco)
A.Botti (?)
L'Inno d'Italia (a alternate music not selected for the national hymn)Francesco Tasini
Johann Sebastian Bach (1685-1750)
Preludio e Fuga in Do maggiore BWV 547
Preludi ai Corali:
Christ, unser Herr, zum Jordan kam BWV 684
Dies sind die heil’gen zehn Gebot BWV 678
Vater unser im Himmelreich BWV 682
Wir glauben all’an einen Gott, Schöpfer BWV 680 (dalla Terza parte della Clavierübung)
GEORG BOHM (1661 - 1733)
nel 350° anniversario della nascita3 Versus su "Vater unser in Himmelreich"
Johann Sebastian Bach (1685-1750)
Passacaglia et Thema fugatum in Do minore BWV 582
PRELUDE TO THE CONCERT - A. BOTTI & GIUSEPPE VERDI
The evening and final concert was opened with the Aurora Salutis choir, that performs the "Innod'Italia" with a unusual music proposed by A. Botti but not selected early. This was proposed by Choir director Daniele Rossi; a thanksgiving to the numerous representatives of the choir of Tivoli that has strengthened our choir, and some elements of choral Grotti . After the singular anthem, we heard the lovely chorus of Nabucco, a great effect due tp the choir so "largely reinforced".
THE CONCERT OF FRANCIS TASINI
After the performance of choral Rieti directed by Daniele Rossi, Francesco Tasini takes place that offers a classic program, you start with the great Prelude and Fugue in C major by JS Bach, a real cathedral sound and within a few masterpieces of 'art of choral Tasini is running a tribute to Böhm on the occasion of the 350th anniversary of the birth of the German master. To finish, a real "sound cathedral": the JS Bach masterpiece "passacaglia and fugue in C minor", performed with all organ "plein jeu" and singing bombarde to the pedal. The playng mode of Tasini was extremely formal and marked, with a great technique of the pedal; this mode of play was philological inspired to JS Bach, and it was derived by the german musician lithographs, that shown JS Bach sit down far from keyboards and walking over the pedals with own body weight. The concert closes the festival which has seen good success; many people coming in part from abroad.
La corale Aurora Salutis schierata per l'esecuzione dei brani di Botti e di Verdi
Il maestro Tasini all'opera
Il M° Tasini riceve "l'onoreficenza" della medaglia d'argento di San Domenico, già ricevuta dai suoi colleghi che l'hanno preceduto in questo festival
Francesco Tasini
Francesco Tasini was born in 1952; he studied at the Conservatory in Bologna and Milan, graduating cum laude "in Organ and Composition (with W. van de Pol), harpsichord (with S. Vartolo) and Composition (with G. Manzoni). He received his degree with honors with a thesis on the work of the DAMS XV of the seventeenth-century musician Maurizio Cazzati. He published numerous publications and critical reviews of Italian keyboard publications of the seventeenth and eighteenth centuries, the music of Marco Santucci (Paideia-Bärenreiter) Azzolino Bernardino Della Ciaja (Ut Orpheus), Rocco Rodio (Cornetto) in collaboration with A . Grinding, the 'Complete Works of keyboard music "by Alessandro Scarlatti (voll. IV), Giovanni Battista Martini (op. 2, vols. I-II), the" Musical Flowers "by Girolamo Frescobaldi (Ut Orpheus). An anthology of Italian organ music from the fifteenth to the eighteenth century.: Organum Italicum, vols. I-IV, Carrara, Bergamo. E 'Editorial Board in the' Organ Works "by Marco Enrico Bossi (voll. I-VI) by Edizioni Carrara in Bergamo and is co-director of the magazine" Arts & Organ Organaria "edited by Carrara. He edited the first Italian translation of the Treaty Orgelprobe-Body Test (1698) by Andreas Werckmeister (Turris, Cremona 1996). Winner of numerous competitions in composition, his works are published by Suvini-Zerboni (Milan), the Trinitarian Doxology song for Grand'organo is published by Carrara (Bergamo 2000). The song Tetélestai (4 vocal soloists and organ, 2007) was recorded on CD at the record company Tactus.Ha arranged for a series of organ concerts A. Vivaldi, recorded for Tactus Butz and published by the publisher of Bonn (A. Vivaldi, Konzert für Orgel-Transkriptionen, Transkribiert und Herausgegeben von F. Tasini, Butz, St. Augustin 2006). And 'member of the Accademia Filarmonica of Bologna, in the class of Composers, and the Diocesan Commission for Sacred Music of the Archdiocese of Bologna and the Diocesi of Ferrara.Ha recorded about 50 CDs for Tactus, Syrius, Hermitage, Edipan, Dynamic, Bottega Discantica and Monaco World Music (including the first and second Book of Touch of organ tablature of C. Merulo, the I and II of GM Trabaci research book, the Book I and II of different Capricci A. Magone and the book I Capricci, fantasies and The Book of Ricercari Frescobaldi, a CD of Vivaldi personally transcribed for organ concerts, 3 CD of works by Alessandro Scarlatti [first 3 of the integral "Keyboard Works" (Tactus) and the integral of Thoughts GM Casini.Today is Organ & Composition professor at the Conservatory "G. Frescobaldi " in Ferrara, Italy
Pontifical Organ Dom Bedos-Roubo Benedetto XVI
-
The Dom Bedos-Roubo Formentelli organ was benedicted from S.E. Cardinale Tarcisio Bertone in 8 December 2008; S.E. T. Bertone is the honorary president of Comitato San Domenico (Onlus) ; the organ was built by Barthelemy Formentelli from 2004 al 2009, following strictly the books "Art du Facteur d'Orgue" for the organ, and " l'Art du Menuissier-Carrossier" about wood and organ box. The organ celebrates Francois Dom Bedos de Celles, 3 centuries after his birthday.
-
San Domenico Church was restored after many ruined and bad years from Comitato San Domenico (Onlus) and his president Mons. Luigi Bardotti
-
Event direction: Comitato San Domenico (F.S. Colamarino, F.Boccasanta, M.Cardellini, L. Di Donato, P. Paniconi, A. Nisio, F.Tigli)
-
Organ Stops assistants: Francesca Boccasanta, Maria Cardellini
-
Event realization: Filippo Tigli, Conservatore Pontificio Organo Dom Bedos-Roubo Benedetto XVI
All current site info , images & arguments cannot be used without permission of San Domenico Committe
