From 16 to April 20 th 2010 the
1° Festival Dom Bedos Roubo was held in San Domenico Church;
The festival on the first edition is
theinstrumental inauguration of the great organ Dom Bedos-Roubo
Benedict XVI, too.
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The Festival start on the beatiful
Villa Potenziani on Friday' 16 April: the conference "Sacred
Music and Art Organaria Classica" ; in the evening the first
concert in the Basilica of St. Domenico. Due to
eruption of the Icelandic volcano, some changes to the
program "in progress of work" was needed; this for the
impossibility of some musicians as Jean Paul Lecot and David
Titterington to reach Rieti. The effect eruption has
prevented then to some musicians (Hadrien Jourdan and François
Menissier) to leave Rieti, too; so, the concert program was
unchanged the level of the full original program. All the
concerts was perfomed.
Great was the appreciation expressed by the numerous organ music
enthusiasts, also comes from France from Belgium and even front
the Japan. Unfortunately the situation of the aerial flights has
hindered some people. All the musicians have expressed
appreciations for this particular organ, allowing the listening
of a heterogeneous and interesting repertoire, as the Bach
sonatas played on the organ and violin (Jourdan-Khazachova).
So, having the capabiliy to listen contemporarily many
interpretations and different ways of conceive the music was
really attractive and it was notable experience. The most
greater satisfaction for the organizers, and for the committee
everything, is from the appreciations that the concertistis have
expressed for the organ: it can be concretized as:
INIMITABLE!
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The Friday conference has seen the
opening of Mons. Stephen Sanchirico (liturgical office of the
celebrations vaticane), Federico del Sordo (Pontifical Istitute
of Sacred Music, Rome) and Giancarlo Parodi (President of
Italian Organist Association and Organ Professor) ; also the
choice to insert interludes of Violin and Harpsichord was been
extremely pleasant to the audiences. In the afternoon, excursus
on the art French classical organ builder art, with
photographic review of the great French organs from 1600 to
1800, following the evolution of the architectures and
chronologically inserting the Rieti Dom Bedos at the end
of this great artistic walk (1765). The audiences have been able
to compare the stop disposition of Rieti with many
historical french organs; thanks to the interventions of
Barthelemy Formentelli aided from F.S. Colamarino, and of the
experts of the DRAC France J.P. Decavele, D. Chailley and
L. Berranger. A original books exhibition was held in the
conference and in the church, too.
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Friday 16, open the festival the
concert of F. Menissier, with an excursus from the authors
classical French and Germans up to Boely; Menissier uses a great
effects, allowing the people to hear the stops colors to taste
the harmonies of the French classical organ; the passages have
been performed with the original french pedalboard.
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Saturday 17, with the presence
of Italian Governement authority On. Gianni Letta and of the
prefect of Rieti Dott. Chiara Merolla, besides representatives
of the weapon of the Policemen and the Army, we have been able
to taste of the atmosphere and of the suggestion of the G.
Nivers mass I, with Gregorian choir in alternatim: organ
Federico Del Sord, choral Urbi Romans Cantores directed by Don
Alberto Turco; after a break the second concert: the importance
of the European schools to comparison Francesco Saverio
Colamarino, supervisor organist of the Dom Bedos Great organ in
Rieti
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Domenica 18 a great program: at 17:00
a various program thanks to F.S. Colamarino with masterpieces of
J.S: Bach : then, H. Jourdan and D. Kazachova, with the
listening of the able Bulgarian violinist, especially in the
passage for alone violin, the Passacaglia of Biber, that has
touched the people, and the Bach sonatas ported on organ
and violin in couple with Hadrien Jourdan; at 18.30, the
majesty of the solemn Mass with organ and choir officiated by
S.E. the Bishop of Rieti Delio Lucarelli: organ: Hadrien
Jourdan, choral Aurora Salutis of Rieti directed by Alessandroi
Nisio. at 21:00 the interesting cool playng manner of
Hadrien Jourdan, that performs with naked foot over the
French pedalboard; finally the ability of F. Menissier, that
give us a concert in substitution of Titterington
without practically making tests.
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Monday' 19 have been able to listen to
the method and the executive rigor of Matteo Messori with the
research of Germanic sonority in the meander of the stops of a
French classical organ. To make up for to the lack of music due
English to the absence of D.Titterington, Matteo has modified
the program inserting in the first part a homage to the English
Music, among which Jhon Bull. Matteo Messori prepared with
extreme accuracy the event, studying at night up to the
4.30 to the organ (!).
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Tuesday 20 finally the closing, with
the poetry expressed by Luca Scandali, that culminates ago with
the end of the imagination with beatiful Mozart great organ
fantasy, binding also for the complex change of the stops
"in run" required by this music, cleverly perfomed by Francesca
Boccasanta.
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All the organists, to exception of
Matteo Messori, helped by his students, have been assisted for
the stops change from our liturgical organist Francesca
Boccasanta.
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The St. Domenico Committee
expresses his own thanks to all those people who are cooperated
for the result of the festival,a real musical marathon and
we hope soon to be able to listen so beatiful music
another.
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Rightful quotation finally for the
St. Domenico Committee and to his honorary president S.Em.
Cardinal Tarcisio Bertone and an applause to the beloved
Formentelli the organ builder of the Pontifical Organ Dom
Bedos-Roubo Benedict XVI, the "apotheosis of the French
classical organ".
Fliippo Tigli - Festival Dom Bedos-Roubo Director
Conservatore Pontificio Organ Dom Bedos-Roubo Benedict XVI
Video available to the section filmed - Events - "backstage" -
Review Press
SOME CD AUDIO OF THE CONCERT WILL BE PUBLISHED NOT OVER AUGUST 2010
Video
: go to movie section of the site
- Events -
"backstage" -
Press releases
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A colloquio con l'on. Letta: Mons. Luigi Bardotti, il sindaco Giuseppe Emili
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arrivo dell'On Letta al concerto del sabato
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Slauto dell'ass. cultura reg. Lazio Cicchetti all'On. Letta
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Il sovrintendente Fondazione Flavio Vespasiano Carlo Latini
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Il prefetto S.E. Chiara Marolla a colloquio con l'On. Letta
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S.e. Prefetto Chiara Marolla e l'On. Letta
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Schola Urbi Romani Cantores, direttore A.Turco
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Schola Urbi Romani Cantores, direttore A.Turco
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Federico del Sordo (Pontificio Istituto Musica Sacra)
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La Schola Urbi Romani schierata
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L'on. Letta e il Prefetto di Rieti posano di fronte al Dom Bedos
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L'aiutante ai registri "ufficiale" del Festival Francesca Boccasanta
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Concerto Sabato 17- Francesco S.Colamarino
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F.S. Colamarino intepreta Clerambault
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Ringraziamento a Dom Bedos de Celles nell'edizione Formentelli 2009
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Messa solenne della Domenica 18 - S.E. il Vescovo di Rieti D.Lucarelli
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Corale Aurora Salutis di Rieti, diretta da A.Nisio
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Pubblico-fedeli alla Messa Solenne, dopo il concerto delle 17 (Domenica)
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Concerto del 17 - Hadrien Jourdan
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Concerto del 17 - Hadrien Jourdan - ai registri F.Boccasanta
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Hadrien Jourdan (CH)
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Francois Menissier (concerto d'apertura)
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Francois Menissier (concerto d'apertura)
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Matteo Messori (concerto del 19)
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M. Messori (ai registri : allievi di Messori)
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Comandanti Carabinieri e Caserma Verdirosi di Rieti
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Luca Scandali (concerto di Chiusura)
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Luca Scandali - aiuto ai registri F.Boccasanta
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Video
: go to movie section of the site
BACKSTAGE
(!)
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Jourdan e Kazachova : momenti musicali al convegno
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Menissier al cembalo di "riscaldamento" in san domenico
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Matteo Messori alle prove
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Jourdan riceve la medaglia di San Domenico
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Jourdan esprime personale apprezzamento per l'opera di Barthelemy Formentelli all'organaro stesso
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La chiesa di san domenico
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Alcuni turisti hanno pernottato dinanzi alla chiesa con il camper..
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Menissier soddisfatto
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Hadrien Jourdan alle prove
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Jourdan..
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Kazachova e Jourdan al convegno
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Convegno del 16 Aprile
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Interludio musicale al convegno
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Jourdan ispirato
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Cembalo francese offerto per il convegno da B.Formentelli
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Dominique Chailley e Formentelli durante la relazione
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Scarpe di Jourdan (suona a piedi nudi..) durante le prove..
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Luca Scandali e l'aiuto registri Francesca Boccasanta
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Formentelli esprime il suo appetito dopo aver compiuto l'opera presso la Taverna dei Fabri antistante la chiesa di San Domenico
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il tempo rieti 13 aprile 2010
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Il Messaggero rieti 20 aprile 2010 |
Format rieti aprile 2010 |
nuova roma oggi 13 04 2010 |
nuova roma oggi 20 04 2010 |
il messaggero rieti 19 aprile 2010 |
il tempo lazio nord 20 aprile 2010 |
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FRIDAY,
16 APRIL - 21:00
Festival Opening Concert - Pontifical Organ Dom Bedos-Roubo Benedetto XVI
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Inauguration
François Mènissier
"from Titelouze to Boëly"
Jehan TITELOUZE
(1563-1633)
Hymne Veni
Creator (4 versets)
Abraham
van den KERCKHOVEN
(1618-1701)
Fantasia primi toni
Jean-Adam GUILAIN
(16..-17..)
Suite du 3e
ton (1705) :
Plein jeu – Quatuor
– Dialogue de Voix humaine – Basse de Trompette – Duo – Grand jeu –
Petit plein jeu
Georg
BOEHM (1661-1733)
Choral Vater
unser im Himmelreich
Jean-François
DANDRIEU
(1682-1738)
Offertoire en ré mineur
E
N T R A C T E
Johann Sebastian BACH
(1685-1750)
Praeludium
pro Organo pleno BWV 552/1
Choral « Wachet auf, ruft uns die
Stimme » BWV 645
Fuga à 5 con Pedale pro Organo pleno BWV 552/2
François COUPERIN
(1668-1733)
Chromhorne en taille (« Messe des Paroisses »)
Alexandre
BOËLY
(1785-1858)
Gloria
de la « Messe solemnelle pour l’orgue extraite de plusieurs
auteurs anciens » :
1.
Et in terra pax : Grand chœur (Boëly)
2.
Benedicimus te : Plein jeu (Boëly)
3.
Glorificamus te : Jeux de fonds (Haendel)
4. Domine Deus
rex coelestis : Cromorne avec les fonds (Haendel)
5. Domine Deux
Agnus Dei : Récit de hautbois (François Couperin)
6. Qui tollis,
Plein jeu (Boëly)
7. Quoniam tu solus,
sur la Voix humaine (Louis Couperin)
8. Tu solus altissimus,
Grand chœur (Bach)
9. Amen, Plein
jeu (Boëly)
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SATURDAY
17 APRIL - 21:00
FEDERICO DEL SORDO - SCHOLA URBI ROMANI CANTORES
Guillame-Gabriel Nivers
(1632-1714)
from
the 2.
Livre d’Orgue Contenant la Messe et les Hymnes de l’Eglise.
Integral
perfomance:
Messe i.
Paris 1667,
original titles
Antiphona ad Introitum,
Mihi autem nimis, Schola
Kyrie
[Plain-chant],
organo
Kyrie, Schola
Fugue, organo
Christe, Schola
Recit de Cromhorne, organo
Christe, Schola
Duo (legerement), organo
Kyrie, Schola
A 2 Cœurs, organo
[Gloria]
Gloria, Schola
[Plain-chant, Et in terra pax], organo
Laudamus te, Schola
Jeu
doux, organo
[Benedicimus
te]
Adoramus te, Schola
Fugue, organo
[Glorificamus te]
Gratias agimus tibi, Schola
Recit de Voix humaine, organo
[Domine Deus, Rex caelestis]
Domine, Fili unigenite, Schola
Duo, organo
[Domine Deus,
Agnus Dei]
Qui tollis peccata mundi miserere nobis, Schola
Fugue grave, organo
[Qui tollis peccata mundi, suscipe]
Qui sedes, Schola
Echo, organo
[Quoniam tu solus Sanctus]
Tu solu Dominus, Schola
Diminution de la Basse, organo
[Tu solus Altissimus]
Cum Sancto Spiritu, Schola
Plein Jeu
[Amen]
Psalmum
gradualis
In omnem terram, Schol
Alleluia
Nimis honorati sunt, Schola
Offerte en fugue et Dialogue
[Sanctus]
[Plain-chant,
Première Sanctus], organo
Sanctus, Schola
fugue, organo
[Pleni sunt]
Hosanna in excelsis, Schola
Benedictus, Recit de Cromhorne, organo
Hosanna in excelsis, Schola
[Agnus Dei]
Le plain chant en taille, organo
[Agnus Dei, qui tollis peccata mundi, miserere nobis]
Agnus Dei, qui tollis peccata mundi, miserere nobis, Schola
A 2 Cœurs, organo
[Agnus Dei, qui tollis peccata mundi, dona nobis pacem].
Communio
Vos qui secuti estis me, Schola
[Ite]
Ite, Missa est, Schola
[Plain-chant,
Deo Gratias], orga
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MONDAY 19 APRIL 2010 - 21:00
Matteo Messori
“Veneto Effects on the Central Germany Keyboard Art”
Hans Leo
Hassler (1565-1612)
Toccata
Giovanni
Gabrieli
(1554/57-1612)
Ricercar
Ercole Pasquini
(c. 1560-1608/19)
Durezze
Canzona
Antonio
Scandello
(1517-1580)
Due
Lieder sacri (intavolati da Elias Nikolaus Ammerbach, 1571)
Girolamo
Frescobaldi
(1583-1643)
Kyrie -
Christe - Kyrie
Toccata avanti il Ricercare
Ricercare con l’obligo di cantar la Quinta Parte senza tocarla
Bergamasca
Johann Jacob
Froberger (1616-1667)
Capriccio
sopra Ut Re Mi Fa Sol La
Matthias
Weckmann
(1616c.-1674)
Toccata
Lux beata trinitas
Johann
Caspar Kerll (1627-1693)
Canzona
Capriccio sopra il Cucu
Ricercata in cylindrum phonotacticum transferenda
Franz Tunder
(1614-1667)
Herr Gott, dich loben wir
auf 2 Claviere und Pedal
Diderik
Buxtehude
(1637-1707)
Praeludium
Fried- und freudenreiche Hinfahrt BuxWV 76 (1674)
Contrapunctus 1 super Mit Fried und Freud - Evolutio /
Contrapunctus 2 – Evolutio
Wie schön leuchtet der Morgenstern
BuxWV 223
Johann
Gottfried Walther
(1684-1748)
"Concerto del signor Torelli appropriato all’Organo"
Johann
Sebastian Bach
(1685-1750)
Some variation on Christmas song Vom Himmel hoch da komm’ich her
for 2-keyboards Organ and Pedalborad BWV 769
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THURSDAY
20 APRILE 2010 ORE 21:00
Festival Final Concert
Luca Scandali
“The European Organ between Baroque and Classicism”
Georg
Muffat (1653-1704)
Toccata
Septima da “Apparatus musico-organisticus” (1690)
Arcangelo
Corelli (1653-1713)
Concerto
Grosso op. VI n. 7 in Re Magg (adattato all’organo da Thomas
Billington, op.IX, 1790 ca.)
Vivace, Allegro, Adagio – Allegro – Largo – Allegro – Vivace
Johann Sebastian
Bach (1685-1750)
Fuga
in si min. BWV 579 su un tema di Corelli
Sonata IV in mi min. BWV 528 - Adagio, Vivace – Andante – Un poco Allegro
Toccata in mi min. BWV 914
Carl
Philipp Emanuel Bach (1714-1788)
Sonata
in Re Magg. Wq 70,5, H 86
Allegro di molto – Adagio e mesto – Allegro
Wolfgang Amadeus Mozart (1756-1791)
Adagio für Glasharmonika KV 356 (617a) in Do
Magg.
Ein Orgelstück für eine Uhr in fa min. KV 608
Stops assistent : Francesca Boccasanta
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